Time by Wizkid

‘Time’, taken from Wizkid’s latest album Morayo, immediately establishes itself through its restrained instrumentation. Rather than the maximalist approach often associated with contemporary Afrobeats, this recording leans on space and texture. A gently pulsing bassline underpins everything, overlaid by clean percussion and subtly shimmering synth pads. These elements create a sense of quiet confidence, allowing each sound to breathe without overcrowding the listener; there are no jarring transitions or abrupt shifts in dynamics which contributes to a smooth listening experience.

The song’s core strength lies in its deceptively simple structure. It unfolds gradually, building layers of sonic detail over its three-minute duration. There isn't a conventional chorus as such – instead, recurring melodic phrases and rhythmic motifs act as anchors, providing familiarity while still leaving room for improvisation. This thoughtful construction prevents predictability and rewards repeated listens, revealing new subtleties within the arrangement. The deliberate pacing allows the mood to deepen organically, rather than relying on immediate impact.

Wizkid’s vocals are delivered with characteristic cool detachment but possess a newfound depth. He eschews overt displays of vocal acrobatics, opting instead for a more conversational style that feels intimate and sincere. His phrasing is impeccable; he rides the groove effortlessly, weaving his melodies around the instrumental backdrop with precision. Subtle harmonies add richness and complexity to the overall soundscape without drawing undue attention to themselves. The effect is one of understated elegance, showcasing Wizkid's maturity as an artist.

The best moment arrives approximately halfway through when a subtle guitar line enters the mix. Its melancholic tone adds a layer of introspection to the track, subtly shifting the emotional landscape. This brief interlude encapsulates the song’s essence: it’s not about bombast or spectacle, but about creating a feeling—a sense of quiet contemplation amidst the bustle of everyday life. It’s also brilliantly placed; it doesn’t disrupt the flow but elevates the track into something slightly different, richer in texture and meaning.

‘Time’ isn’t designed for those seeking instant gratification or club-ready anthems. Instead, it caters to listeners who appreciate sophisticated production, thoughtful songwriting, and nuanced performances. Fans of Burna Boy, Davido, and other contemporary Afrobeats artists will find much to enjoy here, although this recording demonstrates a distinct refinement compared to some of its contemporaries. Indeed, anyone interested in exploring the evolving sounds of African popular music would be well served by giving ‘Time’ a listen.

Ultimately, 'Time' represents a high point in Wizkid’s discography – a mature, considered piece of work that showcases his continued evolution as an artist. The deliberate restraint and understated elegance set it apart from many tracks currently dominating the charts. While it may not have immediate mass appeal, its subtle power and enduring quality suggest it will become increasingly appreciated over time. Its placement on Morayo firmly establishes that Wizkid is still capable of surprising and delighting his audience with unexpected sonic choices.